Bestseller
Autumn Kiln — 2026
Objects made slowly, for rooms that breathe.
Hand-thrown stoneware, turned wood and stonewashed linen — made in small batches in our Bristol studio and fired to last a lifetime.
New from the kiln
Pieces for the long table
Limited
Sale
New
The studio
Every piece passes through fourteen pairs of hands.
We dig, wedge and throw our own clay blend, then trim, glaze and fire every piece twice. It is slower than it needs to be — which is exactly the point.
Read our story
Shop the look
Set for six
A Sunday table, built from four pieces. Tap the dots to shop the look.
Collections
Shop by room & ritual
Five families of objects, each made in the same studio from the same clay.
The numbers behind the craft
Made slowly, on purpose
1,280°CKiln temperature
High-fired stoneware — durable, dishwasher safe and made to be used daily.
72hFrom clay to shelf
Every piece is thrown, trimmed, dried and fired twice before it reaches you.
14Makers in the studio
A small team working out of two railway arches in south Bristol.
100%Plastic-free packaging
Wrapped in recycled paper and mushroom-based foam that you can compost.
Studio sale
Seconds sale ends Sunday
Pieces with tiny glaze quirks, 30% off until the kiln is empty.
00Days00Hours00Min00Sec
Kind words
From homes that use them
As featured in
Hearth QuarterlySlow HomeTHE KILN REVIEWMaker & MossStill LifePAPER HOUSE
“The rare studio whose pieces look better every year you own them.” — Hearth Quarterly
Journal
Notes from the studio
Inside the kiln: seventy-two hours at 1,280°C
What really happens between loading the kiln on Friday and opening it on Monday morning.
Glaze notes: why no two bowls are ever the same
Iron, ash and a little chance. A short guide to the glazes we mix by hand.
Slow mornings, and the objects that make them
Five small rituals from our makers — and the pieces they reach for first.
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